Isolate lives on the rail right after Pick. It doesn't paint — it controls what you can see and where your strokes are allowed to land, so the tools that do paint can reach a surface another part of the model was blocking.
It has two jobs. Cut chops the model along a line you drag and hides everything in front of that line, toward you; the hidden geometry doesn't just disappear from view, it goes un-clickable, so a stroke can't land on the thing you were trying to see past. Guard is the opposite idea: it drops a flat sheet through the model, and every paint tool stops at the sheet — a fill stays on the side you clicked instead of bleeding across to the other.
Nothing is deleted. A Show all pill sits at the top of the viewport the moment a cut hides anything — one tap restores the whole model, paint and all.
- Painting into a crevice. Between fingers, into a cockpit, behind a cape, down the throat of a dragon — anywhere a near surface keeps stealing your clicks.
- Reaching the inside of a closed form. Cut the front off a helmet or a hull and paint the interior wall like it was facing you the whole time.
- Keeping a fill on one side of a join. Set a Guard sheet at the wrist, the neck, or the seam between two parts, then Magic Fill or Brush without the colour jumping across.
- Checking a slice of the model without committing to anything — cut, look, Show all.
Cut — slice along a line:
- Pick Isolate on the rail, then choose Cut horizontally or Cut vertically. A red line drops across the view.
- Drag the line to position the cut. Everything in front of it — toward you — hides.
- Wrong side gone? Hit Flip side (top of the viewport) to swap which half stays.
- Paint the revealed surface. The hidden side is un-clickable, so every stroke lands on the geometry behind the cut.
- Tap Show all (the pill at the top of the viewport) when you're done. The model comes back whole.
Guard — stop every paint tool at a sheet:
- Turn on Guard — the toggle in the Isolate panel, the Guard button floating in the viewport, or press
G. - Set the orientation — Horizontal, or Vert X / Vert Y for an upright sheet.
- Slide Position to where you want the line — the wrist, the neck, the seam between two parts.
- Paint with any tool — Magic Fill, Brush, Mark, Grow. It stops at the sheet, so you only affect the side you click on.
- Click the other side to work it separately. Slide the sheet away or switch Guard off (
Gagain) to paint across the whole model.
- Cut, then Magic Fill. Once the front is hidden, an interior wall behaves like any other exposed surface — tap it with Magic Fill and it floods to its seams.
- Guard a seam before a flood. Magic Fill can jump a join you can't see. Drop a Guard sheet on it first and the flood stops dead at the line.
- Orbit while cut. The hidden geometry stays hidden as you turn the model, so you can work a recess from a few angles without it filling back in.
- Drag, don't tap, for a cut. The cut follows the line you drag across the view — a stray click won't place it.
Hiding geometry never touches your mesh or your paint, and the Guard sheet changes nothing on its own — it only decides which side a stroke is allowed to touch. Cut, paint, hit Show all, switch Guard on and off at any point — the model you export is still the whole thing.